Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.
Alien Invasion Movies
**It was a perfect contact, but troubled at the communication.**The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end.When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts.To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself._7/10_
Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication._Final rating:★★★? - I strongly recommend you make the time._
Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Disappointing and deceptive---I went in really wanting to like this film since I love sci-fi and i'm interested in philosophy of language. However, I was disappointed, mainly because it fails at its own game: the science is ridiculous, and so is its cheesy and simplistic anti-war message. The scene where the colonel first approaches the protagonist Louise Banks at her office was incredibly stupid and badly written: Colonel: (out of the blue) It's been only two days Louise: (confused)... C: People are already demanding answers. Here, listen to this *plays audio recorder*L: (still confused) C: Well? Come on! What are they saying? L: I'd have to be there; I can't translate from this. C: You did it back then with Farsi insurgents!! L: That's because I already knew the language (Duh!) C: Ooohh, I see what you're trying to do here you sly girl... it's not gonna happen, this is not a negotiation!! (storms out) WTF!And then they land a helicopter in her backyard to pick her up (so over the top!) after they find out that the second "expert" on their list gives an "incorrect" answer to a question that doesn't make sense: "what's the Sanskrit word for 'war' and its translation?" Isn't that asking the same thing twice? In any case, this was a clumsy way of introducing the theme of miscommunication. Apparently this Berkeley scholar was not aware that a word can have different meanings in different contexts/uses.Louise is the only real character in this film; they decided to make everyone stupid and hollow just so she could look smart and layered. She's written to be more a translator between two known languages than a linguist. They really didn't know how to show a true linguist at work, so they decided to skim through the whole deciphering process by means of a montage rather than showing her actual process, which would have been far more interesting. You could say this is a film that only features sci-fi elements as a backdrop for a drama. Well, they should have advertised it as what it is! Renner' character doesn't behave like a scientist, he's quite ignorant and shallow (but we're supposed to think he's smart because he scribbled some unintelligible stuff on the whiteboard). The only contribution he makes is incredibly contrived and unnecessary. He's there for two reasons: 1) to give presence to natural science, providing a counterpoint to Louise who represents the social sciences, 2) a plot device for the twist ending/love interest (by the way, who bought them falling in love? Nothing throughout the movie hints at a developing relationship. The ending was so cheesy).Then the military is a bag of clichés: stupid, impatient, and reckless. And since when a colonel and a general make all the political decisions? The whole "let's unite and cooperate" message falls flat because it was so unrealistic. The right-wing nut-jobs sub-plot felt rushed and unnecessary. It's like they're trying too hard to take a political stance against everything that Trump represents, but it comes off really heavy-handed.I'm not even going to bother with time "travel" paradoxes and contradictions about the presence/absence of free will, because I get that this is sci-fi and the plot is supposed to serve a greater message, in this case, the moral question that Nietzsche famously once posed:"What if some day or night a demon were to steal after you into your loneliest loneliness and say to you: 'This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sight and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence' [?] If this thought gained possession of you, it would change you as you are or perhaps crush you. The question in each and every thing: 'Do you desire this once more and innumerable times more?' would lie upon your actions as the heaviest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?"There were far better ways of exploring this question. As for the cinematography, it was unnecessarily bleak, and the only memorable piece of the score is not even original; it was written by Max Richter years ago for another film and recycled here.
No CGI overkill, just some fine acting and directing---Denis Villeneuve is without a doubt an upcoming director and I can't wait to see Blade Runner 2049. Prisoners, Sicario and now Arrival (haven't seen Enemy yet, or some of his earlier work). Denis knows how to capture the tension. It is almost the strongest point of all of his films. Minimal use of computer generated images, and main focus on story, characters, acting and thrilling scenes. Back on IMDb board, I have noticed a lot of people calling Arrival a boring movie. So many hypocrites these days. People trying to point out every possible flaw to look and sound smarter while at the same time hailing far worse movies. Calling it boring and slow while at the same time complaining no originality in Hollywood, only giant CGI laser explosions extravaganza. Go watch Independence Day. In Arrival there is no action, no explosions, just some amazing acting performances combined with good directing, editing and cinematography. There was not a single moment I felt bored.